It’s easy to idolize the women floating above you. The footlights set their sequins on fire; the music spins them between gasps and cables. You appreciate the simplicity, the reliance on ribbons, the swinging on silks. Their work is to be upside down, arms extended, hanging by an ankle to please strangers, and you blush to think you’ve complained about less. Of course the spotlight reveals the tent roof beyond, the spider web of trapeze to one side, still you keep the tangle of your gaze on the dazzle-skinned for fear they’ll float away.